Wednesday, February 21, 2007
Software
I vowed to myself when I started this that I wouldn't talk about screenwriting software - what software should I use? is one of the most common and least important questions that beginning writers ask - but I stumbled across a really nifty thing today that seems like something I might actually use, rather than the kind I have on my hard drive and only ever open up when I feel like pretending to be the kind of writer who has a method rather than being the kind of writer who frightens himself into producing stuff through an excess of anxiety.
So, yes I use the antediluvian and arse-achingly awful in just about every respect Final Draft*, mainly because when I was starting out I got a free copy. It works as a basic script formatter, but on every other level is a disastrously misconceived piece of crap. I foolishly upgraded from FD5 through to FD7, but have gone back to FD5 since the only useful structuring tool available within it - the navigator, which shows your script as an outline using scene headers - was rendered useless in FD7 when they made it possible to view alongside your script, but impossible to shift scenes about using it. Morons.
The INSTANT the latest version of Write Brothers Screenwriter comes out, FD gets binned.
Glad to get that off my chest.
The only time you need these script formatting programmes is approaching production, when the script gets 'locked' in order to make it simpler to issue revised pages to the various production departments. Up till then, nobody gives a damn what you use as long as they can read it.**
The programmes that I find genuinely useful, particularly in the early stages of structuring, which is the difficult bit, are Word, Storyview***, and the absolutely terrific, and not just because it's free, Keynote, which is simple to use but infinitely customiseable and powerful once you get into it.****
And the nifty wee thing I found today? Bubble.us, a brain/mind mapping type thingy whose beauty lies in its simplicity and speed. I often do bubble maps (much prefer the idea of a bubble map to a mind map - bubbles are multicoloured and go pop in an enchanting way, whereas mind maps sound like an away day in a motel off the M25. With lukewarm milky coffee and stale biscuits.) when looking for scene/story ideas, because it doesn't feel like writing, and in the early stages I prefer to feel like it's all provisional and fluid and not really writing yet.
*I'm not linking to it because I don't want to be responsible for someone spending their money unnecessarily. I HATE that sodding programme.
**Word will do fine. Better than fine, because at least you can move headings about in outline view.
***rumour is Write Brothers are going to incorporate it into the next version of Screenwriter. Please please pleeeeease....
****check out the add-ons and plug-ins - some are very good indeed.
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7 comments:
Buggeration! Only today did I place an order to upgrade my Final Draft version 6 to version 7!
I’d waited a couple of years until the Final Draft 7.0 bugs had been ironed out – now that version 7.1.3 is out I’ve been reading good things about it – much more stable.
I thought that it was better to pay sixty quid to upgrade as opposed to twice that for the new version of Movie Magic, and FD is still pretty universal, despite its faults.
I hope FD7 isn’t as bad as you make out, but if it is then we can always sell it on eBay in order to finance a migration to Movie Magic. A copy went yesterday for a shade under 120.00!
http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&ih=013&sspagename=STRK%3AMEWA%3AIT&viewitem=&item=230090250414&rd=1&rd=1
If Movie Magic bundles Storyview with it then it will certainly be very useful indeed.
The bubble.us programme looks very nifty – thanks for the tip. Keynote seems to have died – if you go on to the developer’s website he’s thrown in the towel.
I’m not keen on using MS Word as a script formatter. If money is an issue there’s a brilliant FREE script formatter available called CeltX. It’s great – none of the frills of the bigger programmes but an excellent formatter which also allows a multiplicity of extra research and production info to be incorporated. It’s also great for co-writers working remotely because you get your own bit of webspace to share your script:
http://www.celtx.com/
PS: Love Life on Mars!
Thanks for the tip about bubbl.us - love the bomb and fuse when you delete a bubble.
TonyB: FD7 does now finally at least work, which it absolutely didn't when first released and for about a year after. I've never encountered such a buggy and badly implemented software release. Unbelievably infuriating. Add to that the heavily hyped panels system, which is clumsy, impractical, and frankly rubbish compared with Sophocles or Celtx, along with the grating and demonstrably false 'industry standard' marketing claims, and my loathing for FD was complete.
I had a look at Celtx a while ago, but at that point it insisted you stick to its preset feature template, and that simply isn't flexible enough. In TV practice every show has a slightly different template. If it becomes possible to customise the template in future versions, I'll give it another shot.
The Holy Grail for me is a programme that considers the process of scriptwriting from conception to production. It would combine the basic script formatting & reports that all the popular programmes offer with a big variety of useable outlining features. Closest yet is Sophocles, which I'll jump to that if Movie Magic doesn't come up with the goods next release. Against those, FD looks like what it is - FD6 with an XP skin.
Keynote isn't being developed anymore, but it doesn't need to - it's just right as it is. I'll rejig the link to take you direct to the download.
Glad you're enjoying Life on Mars - watch out for Tufty.
Can't agree with you on FD, I love it and can't do without it. Yes, the bugs in the inital FD7 were annoying but FD 7.1.3 is a dream.
The other software I use (mainly for feature scripts and novels) is Dramatica Pro. It's very useful if you're having trouble with your structure and helps you look at your story from different angles.
But what is important is what you write, not what you write it with.
Thoroughly enjoyed last night's Life on Mars - go Tufty!
"What I call a dream involves Diana Dors and a bottle of chip oil."
Inspired.
Where are you??? Have you gone back to 1974 or what?? 'Cos that's taking research a little too far IMO...
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